When Derek Van Gorder and Otto Stockmeier decided to make a science fiction short about a mutiny on an interplanetary warship, they didn’t have the funds for CGI. They did, on the other hand, have access to the digital cameras that are part and parcel of any contemporary filmmaker’s toolkit. So they eschewed the digitally rendered graphics that are ubiquitous today, and instead set out to combine classic in-camera special effects with the advanced low-light filming capabilities of the latest cameras.